LAFA

Wolfgang Blanke
2024-06-20 00:00 - 2024-07-20 23:59 (Europe/Zurich) | Galerie Schortgen, 24, rue Beaumont, Luxembourg, L-1219, Luxembourg
Wolfgang BLANKE is well known for his paintings, for which he uses raw materials only, pigments, and various binders. He uses natural resins, oils, waxes, and no industrially produced colours. In this way, the artist continually finds new ways and means of expressing himself, both his personality and his current mood.The difficult moment of the so-called “pure painting” is a clash of recognition. You feel this fascinating material while you are in a dialog of such painting progress, you listen to it and it guides you. With transparent layers, he can show both the progress of the painting and the thrilling edge between form and background. Your perception will find your own specific way of identification.Besides art, Wolfgang Blanke is a dedicated sailor and seaman. Both of these two passions, art and sailing, have shaped his life up to now.

Journey to the Land of Morning Calm
2024-06-13 00:00 - 2024-06-14 23:59 (Europe/Zurich) | Cercle Munster, 5-7, rue Münster, Luxembourg, L-2160
Group show at Cercle Munster showcasing works by Seock Son, Sungpil Chae, Hoon Moreau, HyunJoung Lee, SunMi Kim, Myunghee Park, Hong Ilhwa and NungSeang Park.

Guided visits: 16 & 23 March or 20 April at 6pm

German urban Pop-Art by Thomas Baumgärtel
2024-06-12 00:00 - 2024-07-27 23:59 (Europe/Zurich) | MOB-ART studio, 19a, avenue de la Porte-Neuve, Luxembourg, L-2227
Thomas Baumgärtel (64 years old) is a German artist who lives and works in Cologne.

“Thomas Baumgärtel is much more than a simple painter in the classical sense. In addition to drawings and prints, his intermedial work also includes photo collages, as well as overpaintings of photos and spray paintings of ‘old masters’ and objects. He has not only engaged with traditional easel painting but also intensely with mural painting in public spaces.

The wide spectrum of his artistic work extends to action art and shows how fluid the boundaries between sculpture and action are for him. In addition to his subversive spray actions, his performances and happenings, particularly those with a dinosaur-like banana, an oversized and foldable banana sculpture on wheels, have caused a considerable sensation. Even today, the ‘Banana at the Brandenburg Gate’ campaign in Berlin is waiting for the starting signal.” (Dr. Bettina Baumgärtel, Kunst Palast Museum Düsseldorf)

“Works of art are a mirror of their time.”

For example, if we refer to the works he creates on German Unity together with Harald Klemm, we are very much in this theme.

The common thread of the works is the artistic examination and reaction to the historical and social changes brought about by the construction of the Wall, the Cold War, and the resulting reunification in 1989.

The two artists have been working together on the theme of “German Unity” since 1999. Each has his own personal motivations for dealing with reunification and the first peaceful revolution in German history. For Klemm, one of the main questions remains to what extent “German Unity” has been achieved – as examples show, the East and West are still treated differently politically.

For Thomas Baumgärtel, a central medium of his work – the banana – is also one of the most important symbols of reunification. During his psychology studies, he already addressed the psychological and social problems arising from the formation of German unity. Due to his training, the psychological aspect has always been part of his work, both on the reunification of Germany and on other themes.

His political and pacifist commitment is a common thread in his creations, and the Banana is an ideal, infinitely adaptable vector for this. It allows him to denounce the excesses of politics and politicians, both in Germany and internationally, with an offbeat but targeted perspective.

Soraya Dagman, Mia Kinsch – Echoing Colours
2024-06-07 00:00 - 2024-07-06 23:59 (Europe/Luxembourg) | Reuter Bausch Art Gallery, 14, rue Notre-Dame, Luxembourg, L-2240
© Samantha Wilvert

Born in 1993 in Saint-Brieuc, Brittany, France, Soraya Dagman lives and works in Côtes d’Armor, France.

Using oil paint, Soraya works with light, shadows and textures, depicting drapery in scenes that oscillate between surrealism and ultra-figuration. The importance she places on drawing, and in particular on observing her models, lends her compositions a deep attachment to a certain reality. Indeed, the preparation of her canvas is an essential stage, between the first sketches, the drawing that enables her to anticipate the placement of light and shadow, and sometimes the composition of real scenes that she photographs to use as models.

But beyond this technical aspect, the dreamlike nature of the colors she uses, particularly violet, is her way of capturing the poetic soul of everyday banalities, and making them perceptible through painting. The same is true of the sometimes unusual associations of the objects she paints, or the lassive attitudes of her models, which always take us back to a world imbued with mysteriousness.

By combining a realistic technique with surrealist elements, Soraya has fun bringing out the mystical in the real, or the senseless in the ordinary. The formats presented at Galerie Le Rayon Vert illustrate some fragments of this approach.

Mia Kinsch, born in 1995, lives and works in Luxembourg.

Mia Kinsch shows the world she carries within her. She creates colorful, naive and expressive works of art inspired by nature and the body. Her artistic practice explores the place of women in our society, their rights and the inequalities between the sexes. It also allows her to digest her experience and express it in a meaningful way. The naked body and its relationship to my own body play a major role in her work. Through art, she seeks a liberating practice where she dictates her choices. Mia is passionate about the body and what it represents, how we are perceived, in her case as a woman. It’s an exploration of the boundaries that surround the body today.

Mia Kinsch is an artist from Luxembourg. She studied and lived in Belgium and returned to Luxembourg this year. She has a degree in graphic design and is a freelance artist focusing on painting. She has collaborated with Fairtrade, JIF Luxembourg, Lëtzebuerger Land, OUNI, … Mia recently illustrated the new edition of “Reenert” and has participated in exhibitions in Brussels and Luxembourg over the past two years. In addition to her own art, she runs workshops and has worked as a part-time gallery assistant.

José Parlá - Arterial
2024-06-06 00:00 - 2024-07-27 23:59 (Europe/Zurich) | Zidoun-Bossuyt Gallery, 6 rue Saint-Ulric, Luxembourg, L-2651
Zidoun-Bossuyt Luxembourg is thrilled to welcome for the first time in Europe, José Parlá, with a solo exhibition titled Arterial, from 6 June to 27 July 2024.

“Arterial: A Journey Through Urban and Natural Landscapes”

In ‘Arterial,’ José Parlá invites viewers to embark on a visual journey that traverses the dynamic landscapes of both the urban jungle and the serene tranquility of the upstate forests. Inspired by his personal experiences navigating the arteries of New York City and the winding roads leading to the nearby wilderness, each painting serves as a metaphorical exploration of connectivity, movement, and transformation.

As he traveled between the city’s bustling streets and the peaceful embrace of nature, José Parlá couldn’t help but draws parallels between the intricate networks of roads, bridges, and subway lines and the complicated systems of veins, arteries, and cells within the human body. As blood flows through our veins, energy pulses through the city’s infrastructure, creating a constant sense of motion and vitality. Through heavy texture, collage, and a vibrant color palette inspired by the urban landscape and the ever-changing hues of nature’s seasons, he aims to capture the essence of this duality. Each layer of paint represents a moment in time, a snapshot of the cyclical nature of life and death, growth, and decay.

From the stark beauty of winter’s icy grip to the vibrant burst of color that heralds the arrival of spring, ‘Arterial’ invites viewers to contemplate the interconnectedness of all things and to find beauty in the rhythm of life’s eternal dance. As you immerse yourself in each painting, let yourself be swept away by the ebb and flow of the city’s pulse and the timeless serenity of the natural world.

José Parlá creates paintings and multidisciplinary works based on his interest in hybrid forms of abstraction. He draws inspiration from various mediums including music, calligraphy, dance, and the decay of urban architecture and advertisements. His works poetically challenge ideas about language, politics, identity, and how we define places and spaces. Parlá’s relationship with mark-making is physical and textural, incorporating the body’s gestures into a painterly stream of consciousness composed of areas of addition, erasure, and layering that challenges the status quo of visual culture.

Biography

Parlá was born in 1973 to Cuban parents in Miami, Florida and lives and works out of Brooklyn, New York. He studied painting at Savannah College of Art & Design (SCAD) in Savannah, Georgia; the New World School of the Arts, Miami, Florida; and Miami Dade College, Miami, Florida. Solo exhibitions of Parlá’s work have been organized at institutions such as The Bronx Museum, New York (2022); Gana Art Center, Seoul (2022); Hong Kong Contemporary Art (HOCA) Foundation, Hong Kong (2019); Neuberger Museum of Art, New York (2018); SCAD Museum of Art, Savannah (2017); Goss-Michael Foundation, Dallas (2016); High Museum of Art, Atlanta (2015); amongst others. Public arts projects include permanent large scale commissions including Far Rockaway Writer’s Library, a collaboration between Snøhetta and Parlá, New York (2023); Amistad América, University of Texas, Austin (2018); One Union of the Senses, ONE World Trade Center, New York (2015); Nature of Language, in collaboration with Snøhetta, Hunt Library at North Carolina State University, Raleigh (2013); Diary of Brooklyn, Barclays Center, New York (2012). Parlá’s work is in several public collections including the Brooklyn Museum, New York; Pérez Art Museum Miami (PAMM), Miami; The British Museum, London; Buffalo AKG Art Museum, New York; El Espacio, Miami; POLA Museum of Art, Japan; The Neuberger Museum of Art, New York; and The National Museum of Fine Arts, Havana.

Daniel Wagener – Pick One!
2024-06-06 00:00 - 2024-07-06 23:59 (Europe/Zurich) | Valerius Gallery, 1, Place du Theatre, Luxembourg, L-2613
‘PICK ONE’ marks the first gallery exhibition by luxembourgish photographer Daniel Wagener (*1988). The exhibition will present a selection of works produced in the past few years and will particularly highlight a series of photographs recently taken in Mexico.

Daniel Wagener focuses on objects and urban landscapes that are both familiar and disturbing to him. He documents the traces accidentally left by people, as well as the absurd normality of everyday life. In their saturated primary colors, Wagener’s photographs depict ordinary scenes that propose new approaches to reality. At first glance, these photographs follow an aesthetic, functional and pragmatic visual language, with an undeniable touch of humor. At a second glance, they reveal reflections on society and the environment we create around us.

Daniel Wagener studied photography at ‘Académie Royale de Bruxelles’, in Brussels. He won several awards, such as the LUPA – Luxembourg Photography Award (2023), and the Prix Edward Steichen (2018). Important exhibitions include his 2023 solo presentation ‘Opus Incertum’ at the photography festival ‘Rencontres d’Arles’, in Arles, and later on at CNA – Pomhouse, LU, ‘Freigeister’ at MUDAM, LU and ‘Les Conseillers’, at Kanal Pompidou, Brussels, BE amongst others.

Hermann Reimer – 'Interior' Intermission
2024-05-28 00:00 - 2024-06-18 23:59 (Europe/Zurich) | Galerie Schortgen, 24, rue Beaumont, Luxembourg, L-1219, Luxembourg
Hermann Reimer (* 1959, Münster, Germany) lives and works in Berlin. Initially, Reimer studied physics, before dedicating himself to art studies at the “Universität der Künste in Berlin” in 1985. The artist focuses on interior and urban exterior spaces, often blurring the boundaries between the two. His depictions of hotels, vacation apartments, living rooms, and landscapes often feature stage-like interiors devoid of people or with solitary figures, separated by abstract elements. His paintings are characterized by sections where depicted objects and people seem to dissolve, blurring the line between foreground and background. Reimer’s compositions, while comprised of familiar elements, alienate the viewer, preventing them from finding rest.

Trixi Weis – Invisibles
2024-05-16 00:00 - 2024-06-15 23:59 (Europe/Zurich) | Nosbaum Reding, 2, Rue Wiltheim, Luxembourg, L-2733
Born in Luxembourg in 1967. Lives and works in Luxembourg.

Through numerous artistic practices and a great diversity of materials, Trixi Weis creates works, each telling a story. Even though the artist rejects working in series, her work reveals certain common threads such as fairy tales at the beginning of her career or ephemeral in-situ installations in natural environments. Other creations that use food as subject and material are interactive. Trixi Weis often stages herself in performances, videos, and small kinetic sculptures, on themes of solitude, celebrations, love, and sexuality. She regularly creates scenographies for theater and dance. More recently, she has been creating monumental sculptures, notably for public buildings. All her works, even those addressing more serious subjects and criticizing our society, almost always integrate a note of humor, making Trixi “…a mischievous artist, gently subversive.”

Lib Shkupolli
2024-05-16 00:00 - 2024-06-08 23:59 (Europe/Zurich) | Creutz&Friends, 22, rue du Marché-aux-herbes, Luxembourg, L-1718
Lib Shkupolli, known as Lib, is an artist whose current work delves into the complexities of identity, masculinity, and the human form. Raised in Luxembourg but with roots in Kosovo, Lib’s artistic journey has been shaped by his cultural heritage and his experiences navigating our society.

Lib’s artistic journey is a tapestry of experiences, each thread contributing to the rich texture of his work. From his early days studying fine arts in Berlin to his later pursuits in socio-education in Liège, Lib’s path has been marked by a quest for self-discovery and a commitment to exploring the human condition through art. His return to Luxembourg a decade ago marked a homecoming of sorts, yet it also signaled a new chapter in his creative evolution. Balancing his role as an „éducateur gradué“ with his passion for art, Lib found inspiration in the intersection of these seemingly disparate worlds, recognizing the inherent connections between education and artistic expression, allowing a symbiotic relationship between the two.

In his intimate home studio, nestled in the depths of his basement, Lib’s creative vision comes to life. It is here, amidst the comforting hum of his surroundings, that he channels his experiences, thoughts, and observations into tangible form. Inspired by nature and flowers, the series of vases created during the tumultuous era of the pandemic served as a starting point for Lib’s creative process, capturing both the fragility and resilience of the human spirit. Infused with bold colors and organic shapes, these vases carry a weightiness in their rounded forms inviting viewers to pause, reflect, and find solace in their beauty. With their sand-like material and voluminous appearance however, they project a sense of strength and robustness.

Moving forward, Lib aims to explore this exact fluidity and heaviness of form, particularly focusing on the male body and its relationship to masculinity. Through his new creations, he seeks to challenge stereotypes and invites viewers to reconsider preconceived notions of strength and vulnerability and to question the narratives that shape our understanding of identity.

His works, displayed at Creutz(&)Friends, serve as catalysts for dialogue, encouraging conversations about identity, representation, and the intersections of social body perception and art. Lib’s creations are not just aesthetically striking but also thought-provoking, offering a fresh perspective on the complexities of the human experience.

About YLA — Young Luxembourgish Artists

The original idea of YLA (Young Luxembourgish Artists) is based on the loose artist group ‘Young British Artists’, which was founded in London, UK, in 1988 with artists such as Tracey Emin, Damien Hirst, JennySaville, Cornelia Parker, Sarah Lucas, Gary Hume, Tacity Dean,… The majority of these artists studied Fine Art at Goldsmiths College of Art, London UK. They became known for their shock tactics and their opennessto experiment with different materials and media. Their exhibition ‘Sensation’ received much attention and was widely discussed in the press.

YLA was founded in 2021 because we felt the need to give a platform to young artists from Luxembourg. The first exhibition was a big project with 12 artists, exhibited in two separate spaces. After the exhibition wedecided to set up a non-profit association called YLA – Young Luxembourgish Artists. We continue organizing exhibitions under that association and act as a guide for the artists along their career. This year’s groupexhibition presents the work of 9 artists.

The majority of the artists that we show in the framework of YLA have completed studies in Fine Arts or Visual Arts. All of them have been born between the 1980s and 1990s. These artists are by no means a collective of artists, and should not represent a canon in art, but rather present different perspectives and express themselves freely through different media. They deal with current issues and ask questions. Most of these artists have had few or no exhibitions in Luxembourg but a few exhibitions abroad. The exhibitions weorganize are always curated and selected by us.

The artists we select for YLA have completed their studies abroad, due to the lack of art schools in their own country. This is by no means a criticism, however, as studying abroad broadens horizons and opens up newpathways. Thus, we think it’s important to give these artists visibility in the country they were born in or grewup in.

We are happy to provide a base at the beginning of their career and to show their talent to a large audience.

YLA was founded by Lou PHILIPPS and Gerard VALERIUS from Valerius Gallery.

Arthur Unger – Reminiscence
2024-05-15 00:00 - 2024-06-08 23:59 (Europe/Zurich) | Galerie F. Hessler, 21, rue Astrid, Luxembourg, L-1143

Stephan Balkenhol
2024-05-02 00:00 - 2024-06-15 23:59 (Europe/Zurich) | Nosbaum Reding, 2, Rue Wiltheim, Luxembourg, L-2733
For his new exhibition at Nosbaum Reding Gallery, German sculptor Stephan Balkenhol presents a series of recent works made in his trademark woodcarving technique.

It was during his studies at the Hamburg School of Fine Arts in the late 1970s that Balkenhol developed a sculptural practice in reaction to the minimalist and conceptual trends of the time. Noting a kind of absence in these avant-garde movements, he decided to devote himself to figuration in a bid to reconnect with, and renew, a long tradition of classic sculpture.

His works, which seem to be inspired in particular by medieval polychrome sculpture, depict human figures with anonymous features, carved with hammer and chisel from a single bloc of wood (poplar or wawa), whose imperfections and veins are left visible. Standing on plinths with which they seem to merge, they are contemporary but timeless characters whose expression is simultaneously hesitant and confident. As archetypes oscillating between the prosaic and the sacred, their indecisiveness puzzles viewers while opening up a wealth of narrative possibilities.

Stephan Balkenhol was born in 1957 in Fritzlar (Hesse). He lives and works in Meisenthal (France) and in Kassel (Germany). His works can be found in numerous public and private collections worldwide, including Montreal Museum of Fine Arts; Hirshhorn Museum and Sculpture Garden – Smithsonian Institution, Washington, DC; Art Institute of Chicago; Hamburger Bahnhof, Berlin; Kunstmuseum Bonn; Museum of Grenoble; National Museum of Art, Osaka; and Peggy Guggenheim Collection, Venice. The personal exhibition Stephan Balkenhol meets Old Masters – Window in Time is currently on show at the Museum of Wiesbaden (Germany). He is also known for his works in public space, among others at Blackfriars Bridge in London, at the entrance to the Hamburg Zoo, at Städel in Frankfurt, and in Kassel and Leipzig. He has been teaching at the Academy of Fine Arts in Karlsruhe since 1992.

DNA — Emmanuel Fey, Thomas Iser, Samuël Levy and Olivier Potozec (aka Sader)
2024-05-02 00:00 - 2024-06-08 23:59 (Europe/Zurich) | MOB-ART studio, 19a, avenue de la Porte-Neuve, Luxembourg, L-2227
DNA: Artists with unique graphics but a common origin:

Samuël LEVY develops Black Forest.

Kit Empire accompanies their little monsters in bright colors.

Thomas ISER explores his Galactic Labyrinth.

Olivier SADER develops the letter, its coloring, and the repetition of movements.

Lumières et reflets — Jean Moiras
2024-04-20 00:00 - 2024-05-25 23:59 (Europe/Luxembourg) | Galerie Schortgen, 24, rue Beaumont, Luxembourg, L-1219, Luxembourg

Larissa Strunowa — The Rite of Spring
2024-02-28 00:00 - 2024-05-18 23:59 (Europe/Zurich) | CultureInside gallery, 8, rue Notre-Dame, Luxembourg, L-2240
With a vigorous brush stroke, Larissa Strunowa paints without taboos or prejudices human bodies working with transparencies and contrasting colors. Using only the basic principles of body representation – the contour and color – the artist evokes the nude without showing it completely and detaches itself from the purely realistic representation.The mysterious universe of her works, both disturbing and fascinating, gives to voluptuous silhouettes a captivating aura. Due to the sculptural appearance of the bodies, the magnified postures and the chosen environment, some works plunge us into scenes inspired by reinvented legends and mythologies.The works of Larissa Strunowa are all facets of her mind. It is rare to be able to perceive with such clarity the profound thoughts of an artist; Perhaps it is possible because Larissa is a full-fledged, uncensored and unstated soul.

Demystifying Due Diligence: For a transparent Art Market
2023-11-09 16:00 - 17:00 (Europe/Zurich) | Luxembourg Art Week, Glacis Square (Fouerplaatz), Luxembourg, L-1628
Art valuation, Client Due Diligence, Artwork/title Due Diligence, Forensic Analysis, Transaction Due Diligence, Litigation risks, Regulatory risks, Insurance, Logistics, and Art professionals good practices: How to mitigate artworks sales and purchases risks.

In today’s art market, collectors, investors, family offices and private banks have become even more cautious when involved in art transactions.

Due diligence must be an essential part of art transactions: Investigating and obtaining as much information as possible about the parties to the proposed transaction, the artwork which is the object of the transaction and the execution of transaction itself protects art businesses and collectors and helps them manage risks. This conference aims to demystifying the collecting journey through an interactive dialogue and practical tips with a panel of art market professionals.

Client Due Diligence: Seller’s Credentials, Intermediaries and their authority to act, sanctions and red flags checks

Artwork Due Diligence: Identification, Ownership/title, artwork location and recent movement, forensic analysis including provenance research, condition and authenticity, valuation

Transaction Due Diligence: Purpose and form of the transaction, source of funds and documentation, Litigation risks and Regulatory risks including Import and export restrictions, application of Anti-Money Laundering Laws

Moderator:

Dr. Eric Perru, Partner, Pinsent Masons Luxembourg, Vice-President of LAFA

Speakers:

Aude Lemogne, Director, Link Management, member of the Board of Directors of AXA Wealth Europe

Glenn Meyer, Partner in the Banking&Financial Services practice, Arendt & Medernach

Emmanuel Van de Putte, Senior Director, Managing Director, Sotheby’s Brussels and Luxembourg

Dr. Stephan Zilkens, Managing Partner, Zilkens Fine Art Insurance Broker GmbH

Conference held in English and organized on the occasion of Luxembourg Art Week.

Following the conference, participants will be given free admission to the Preview of Luxembourg Art Week.

Subjects to seat availability, requires prior registration on contact@lafa.lu.

New directive on value added tax for galleries and art dealers based in Luxembourg
2023-04-23 17:30 - 18:30 (Europe/Zurich) | Tero House17, 17, rue du Nord, Luxembourg, L-2229
Information session on the new directive on value added tax for galleries and art dealers based in Luxembourg. On the occasion of this workshop, Karine Bellony, Founding Partner of VAT Solutions will present the new directive on value added tax for galleries and art dealers based in Luxembourg.

About VAT Solutions

VAT Solutions is a Luxembourg based company in operation since 2011 specialised in Indirect Tax services (VAT, Customs and Excise duties) for commercial and financial industry clients’ cross-border activities of goods and services within the European Union. VAT Solutions provides independent VAT support services with the aim to optimize and secure your EU VAT and customs organization. VAT Solutions works closely with its clients to implement: Efficient VAT organization, Optimized and secured international Supply Chains, Financial transactions with controlled costs.

About Karine Bellony

Managing partner and founder of VAT solutions, Karine Bellony, with over 24 years of professional experience, accompanies its international customers in their intra-Community VAT and customs issues both in Luxembourg and in the other Member States.

After studying law at the University of Paris 1 Panthéon Sorbonne and a first professional experience as a notary.

Karine joined the Peugeot Citroën group for more than 7 years as Head of Tax Representation and then Customs of the transport subsidiary GEFCO. In Luxembourg, she spent 3 years as VAT/Customs Director at PwC Luxembourg, then joined the Kuehne+Nagel group for a year as VAT Senior Vice President. In 2011, she founded the Luxembourg company VAT Solutions and opened in 2018 the first VAT Solutions subsidiary in France to meet the growing demand of customers.

Active in several professional associations, she regularly speaks at conferences in Luxembourg and abroad.

COPEL Subsides
2022-12-07 17:00 - 18:00 (Europe/Zurich) | Office du Ducroire, 65 rue d’Eich, Luxembourg, L-1461
Luxembourg Art Week, exhibition view, 2022 edition © Sophie Margue

Information session on the subsides available to gallery owners-exhibitors.

Simone Joachim, Director of Office of Ducroire, will explain the subsides granted under the Committee for the promotion of Luxembourg exports (COPEL) scheme and the procedures and formalities for galleries to access it. The presentation will be followed by a Q&A session.

Next Gen Collectors, Artists, and Sales Channels: How is the art market changing?
2022-11-10 18:00 - 19:00 (Europe/Zurich) | Luxembourg Art Week, Glacis Square (Fouerplaatz), Luxembourg, L-1628
Empowering young artists, from creating their portfolio to social media and direct selling, multiplication of sales channels, from the physical place to the metaverse, is there a potential risk of scarcity for the galleries in the first market? What do young collectors want, what they do buy, and as they will find their financial footing, will they add rocket fuel to the art market or blow it up entirely?

Moderator:

Pierre Naquin, entrepreneur in the fields of innovation, technology, and art, founder of the Art Media Agency platform, publisher of the magazine AMA, distributed at major art fairs. He was also the director of the publication L’Art et la fiscalité du collectionneur dans le monde (A&F markets, 2014).

Speakers:

Georgina Adam, Financial Times, The Art Newspaper

Eugenie Dumont, Art Collections Manager, Degroof Petercam

Professor Dr. Roman Kräussl, Faculty of Law, Economics and Finance, Department of Finance, University of Luxembourg

Maria Lund, Galerie Maria Lund

The conference will be held in English and organised on the occasion of Luxembourg Art Week.

Following the conference, participants will be given free admission to the Preview of Luxembourg Art Week.

End-of-year Cocktail
2021-12-13 18:00 - 19:30 (Europe/Zurich) | Fellner Contemporary Art, 2a, rue Wiltheim, Luxembourg, L-2733
LAFA is pleased to invite its members to an end-of-year gathering on Monday, December 13, from 6:00 PM to 7:30 PM at the Fellner Contemporary gallery.

On this occasion, Hans Fellner, the gallery director, will present this new gallery opened in the fall of 2020 and its program featuring Luxembourgish artists.
