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BEGIN:VEVENT
DTSTART;TZID=Europe/Luxembourg:20251121T003000
DTEND;TZID=Europe/Luxembourg:20251121T013000
DTSTAMP:20260404T004551
CREATED:20251030T143146Z
LAST-MODIFIED:20251030T143333Z
UID:31041-1763685000-1763688600@lafa-asbl.com
SUMMARY:
DESCRIPTION:CONFÉRENCE PAR LAFA DANS LE CADRE DE\n\n\n\nLA LUXEMBOURG ART WEEK \n\n\n\nL’ART DISTINGUE-T-IL L’HOMME DE LA MACHNIE? \n\n\n\nÀ l’heure où l’intelligence artificielle s’immisce dans tous les champs de la création\, la question de son rôle et de son influence dans le monde de l’art se pose avec une acuité croissante. Cette table ronde propose d’explorer ces enjeux à travers les regards croisés du juriste\, du galeriste et de l’artiste. Il sera question des droits d’auteur\, de la propriété intellectuelle et du statut juridique des œuvres\, mais aussi de la manière dont le marché de l’art accueille ces créations\, entre fascination et scepticisme\, et des enjeux de valorisation auprès des collectionneurs. Enfin\, la parole sera donnée à l’artiste\, pour interroger son rapport à la création par ou avec l’IA\, la notion même d’inspiration\, ainsi que les limites et perceptions qui en découlent.
URL:https://lafa-asbl.com/event/31041/
LOCATION:Luxembourg Art Week\, Glacis Square (Fouerplaatz)\, Luxembourg\, L-1628
ORGANIZER;CN="LAFA":MAILTO:contact@lafa.lu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20240731T000000
DTEND;TZID=Europe/Zurich:20240914T235959
DTSTAMP:20260404T004551
CREATED:20240730T061500Z
LAST-MODIFIED:20240607T041651Z
UID:29884-1722384000-1726358399@lafa-asbl.com
SUMMARY:Summer Group Show
DESCRIPTION:
URL:https://lafa-asbl.com/event/summer-group-show/
LOCATION:MOB-ART studio\, 19a\, avenue de la Porte-Neuve\, Luxembourg\, L-2227
CATEGORIES:Exhibitions,Public activities
ORGANIZER;CN="MOB-ART studio":MAILTO:lucschroeder@mob-artstudio.lu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Luxembourg:20240711T000000
DTEND;TZID=Europe/Luxembourg:20240914T235959
DTSTAMP:20260404T004551
CREATED:20240703T170015Z
LAST-MODIFIED:20240703T170016Z
UID:30075-1720656000-1726358399@lafa-asbl.com
SUMMARY:Saar Scheerlings & Mario Picardo: Sugar Rush
DESCRIPTION:The exhibition ‘SUGAR RUSH’ presents new works by Mario Picardo and Saar Scheerlings and blends colorful paintings with soft monochrome sculptures.   \n\n\n\nChilean-French artist Mario Picardo (*1985) has studied Fine Art at the ‘Ecole nationale supérieure des Beaux Arts de Paris’ in Paris\, France. With the urban landscape as his source of inspiration\, the artist creates multilayered colorful paintings\, accentuated by his use of the airbrush gun\, revealing elements of pop culture and cartoons. Mario’s work has recently been on view at the Ludwig Museum of Contemporary Art in Budapest\, Hungary. \n\n\n\nSaar Scheerlings (*1990) has studied at the Design Academy in Eindhoven\, The Netherlands. Saar’s work is often triggered by the beauty and dedication of old materials like antique linens that she uses for her sculptures. With a laborious process of sculpting\, cutting\, sewing and weaving she breathes new life into these materials\, transforming them into monumental talisman sculptures. Saar’s work has recently been exhibited at Palais de Tokyo in Paris\, France.
URL:https://lafa-asbl.com/event/saar-scheerlings-mario-picardo-sugar-rush/
LOCATION:Valerius Gallery\, 1\, Place du Theatre\, Luxembourg\, L-2613
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://lafa-asbl.com/wp-content/uploads/2024/07/IMG_6998-scaled.jpeg
ORGANIZER;CN="Valerius Gallery":MAILTO:info@valeriusartgallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20240620T000000
DTEND;TZID=Europe/Zurich:20240914T235959
DTSTAMP:20260404T004551
CREATED:20240607T152642Z
LAST-MODIFIED:20240627T115212Z
UID:29908-1718841600-1726358399@lafa-asbl.com
SUMMARY:Made in America: 1960s to Today
DESCRIPTION:© Audrey Jonchères\n\n\n\nGroup show including works by the following artists:  \n\n\n\n\nWilliam Nelson Copley\n\n\n\nCarroll Dunham\n\n\n\nAlex Israel\n\n\n\nPaul McCarthy\n\n\n\nKenneth Noland\n\n\n\nRaymond Pettibon\n\n\n\nRichard Pettibone\n\n\n\nJames Rosenquist\n\n\n\nAndy Warhol\n\n\n\nJohn Wesley\n\n\n\nTom Wesselmann\n\n\n\n\nThis exhibition explores the landscape of American art from the 1960s to the present day. On the one hand\, the iconic American Pop Art scene with artists who captured the essence of American culture\, consumerism and media such as Richard Pettibone (b. 1938)\, Andy Warhol (1928-1987)\, Tom Wesselmann (1931-2004)\, Raymond Pettibon (b. 1957)\, William N. Copley (1919-1996) and John Wesley (1928-2022). \n\n\n\nOn the other hand\, we focus on the Abstract Art movement\, with a particular emphasis on Kenneth Noland (1924-2010). His innovative use of color and form redefined Abstract Expressionism and left a lasting imprint on the art world. The exhibition also highlights more recent contributions to the West Coast art scene\, specifically from Los Angeles\, with contemporary artists such as Alex Israel (b. 1982) and Paul McCarthy (b. 1945)\, who continue to push boundaries and challenge conventions with their unique perspectives and innovative works.
URL:https://lafa-asbl.com/event/made-in-america-1960s-to-today/
LOCATION:Nosbaum Reding\, 2\, Rue Wiltheim\, Luxembourg\, L-2733
CATEGORIES:Exhibitions,Public activities
ATTACH;FMTTYPE=image/jpeg:https://lafa-asbl.com/wp-content/uploads/2024/06/made_in_america_1960s_to_today_nosbaum_reding_351.jpeg
ORGANIZER;CN="Nosbaum Reding":MAILTO:reding@nosbaumreding.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20240620T000000
DTEND;TZID=Europe/Zurich:20240914T235959
DTSTAMP:20260404T004551
CREATED:20240607T151735Z
LAST-MODIFIED:20240626T145523Z
UID:29901-1718841600-1726358399@lafa-asbl.com
SUMMARY:Nat Meade – Creeper\, Sleeper\, Weeper
DESCRIPTION:Over the last decade\, the American painter Nat Meade has developed a unique style of portraiture within the genre of so-called ‘allegorical autofiction’. In his works\, a recurring bearded protagonist embodies emotional states the artist has personally experienced in certain phases of his life or social roles as a man. Their brightly coloured motifs do not refer to external but internal states\, while symbolic attributes reinforce the slightly quaint atmosphere that pervades the works. \n\n\n\nThe archetypal monolithic head\, which Meade occasionally depicts in bust length or in pairs or threes within the same painting\, harkens back to the artist’s early memory of a woodcut portrait of Walt Whitman (1819–1892) by Antonio Frasconi that hung in his parents’ home — an informal\, expressive head with a triangular nose\, its full beard rendered by large\, thick strokes. Meade\, who grew up in the Pacific Northwest region of the United States\, is well familiar with such rugged physiognomies. In his writings\, Whitman\, arguably the most famous American poet of the nineteenth century\, chastised the upheavals and divisions in modern society\, instead romanticising the declining agrarian model and its social cohesion. Even in the twenty-first century\, the myths of the founding of the United States and the conquest of the West still inform the country’s understanding of traditional male roles — an outdated cliché\, for many reasons. Meade expresses his own unease at this conception through the tongue-in-cheek fatalism of his archaic figures who\, despite their robust appearance\, seem vulnerable\, exhausted\, oblivious of the world around them and at times tender\, and are often shown sleeping\, pondering or crying. Sometimes their detached heads\, lying flat on the floor\, even transform into objects that tie in with the surrounding natural landscape. \n\n\n\nMeade varies the pictorial space by playing with different viewing distances and angles. In his smaller works (such as Basal\, Scrim\, Canopy)\, the face appears as if seen through a telephoto lens\, filling the entire pictorial space\, with even the chin\, forehead or cheeks cropped. This leaves no room for peripheral attributes\, so that all additions\, such as branches with green or autumn-brown leaves\, overlap and obscure the face. The relationship between nature and the individual is thus reversed; what we see is not humans who stand or act in nature\, but nature that conceals the humans and turns them into a mere backdrop\, into something passive. \n\n\n\nIn Meade’s medium-size formats (such as Creeper\, Sleeper\, Weeper) or the large format Dandylion\, the extended angle embraces the surroundings of the person\, who is always pictured in the centre ground\, leaving space in the background for a hill\, a decomposing log or shallow water. The foreground can therefore accommodate (mostly vegetal) elements that are in turn orientated towards the figure\, such as dandelion flowers stretching their stems like curious antennae. The prehistoric faces rarely look directly at the viewer — in most cases their eyelids are closed or the pupils are turned thoughtfully to the side. Their mysterious appearance lends them an oracular quality that invites viewers to make them ‘speak’ through their own reflections. \n\n\n\nBesides their unusual and subtle\, almost burlesque motifs\, the colour treatment is a distinctive feature of Meade’s paintings — even his works on paper radiate as if they had built-in backlighting. This effect is achieved through a clever distribution of light in the composition of the motifs: imaginary light sources cast deep shadows on certain objects\, while other areas reflect the light and seem to glow from within. In contrast\, the surfaces of the paintings are rough and matte — the exact opposite of a high-gloss sheen. The artist uses mainly jute or hemp as canvases\, literally slaving away at the harsh texture. Layers of colour are applied but also scraped off again before being reconstructed again\, the slow\, layered build-up resulting in highly saturated colours. In addition\, Meade only uses colour tones that shine in the lighter parts of the painting and transform into radiant dark tones in the shadowy ones: yellow turns to orange or green\, pink becomes violet. The weft of the fabric is still clearly visible in the finished picture\, creating the impression of a gauze through which we view the strongly lit motif\, as though on a theatre stage. \n\n\n\nSabine Dorscheid
URL:https://lafa-asbl.com/event/nat-meade-creeper-sleeper-weeper/
LOCATION:Nosbaum Reding Projects\, 4\, rue Wiltheim\, Luxembourg\, L-2733
CATEGORIES:Exhibitions,Public activities
ATTACH;FMTTYPE=image/jpeg:https://lafa-asbl.com/wp-content/uploads/2024/06/creeper_sleeper_weeper_nosbaum_reding_350.jpeg
ORGANIZER;CN="Nosbaum Reding":MAILTO:reding@nosbaumreding.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20240620T000000
DTEND;TZID=Europe/Zurich:20240720T235959
DTSTAMP:20260404T004551
CREATED:20240604T044033Z
LAST-MODIFIED:20240604T044235Z
UID:29764-1718841600-1721519999@lafa-asbl.com
SUMMARY:Wolfgang Blanke
DESCRIPTION:Wolfgang BLANKE is well known for his paintings\, for which he uses raw materials only\, pigments\, and various binders. He uses natural resins\, oils\, waxes\, and no industrially produced colours. In this way\, the artist continually finds new ways and means of expressing himself\, both his personality and his current mood.The difficult moment of the so-called “pure painting” is a clash of recognition. You feel this fascinating material while you are in a dialog of such painting progress\, you listen to it and it guides you. With transparent layers\, he can show both the progress of the painting and the thrilling edge between form and background. Your perception will find your own specific way of identification.Besides art\, Wolfgang Blanke is a dedicated sailor and seaman. Both of these two passions\, art and sailing\, have shaped his life up to now.
URL:https://lafa-asbl.com/event/wolfgang-blanke/
LOCATION:Galerie Schortgen\, 24\, rue Beaumont\, Luxembourg\, L-1219\, Luxembourg
CATEGORIES:Exhibitions,Public activities
ATTACH;FMTTYPE=image/jpeg:https://lafa-asbl.com/wp-content/uploads/2024/06/23-Blanke-1.jpg
ORGANIZER;CN="Galerie Schortgen":MAILTO:galerie@schortgen.lu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20240613T000000
DTEND;TZID=Europe/Zurich:20240614T235959
DTSTAMP:20260404T004551
CREATED:20240604T045516Z
LAST-MODIFIED:20240604T045518Z
UID:29768-1718236800-1718409599@lafa-asbl.com
SUMMARY:Journey to the Land of Morning Calm
DESCRIPTION:Group show at Cercle Munster showcasing works by Seock Son\, Sungpil Chae\, Hoon Moreau\, HyunJoung Lee\, SunMi Kim\, Myunghee Park\, Hong Ilhwa and NungSeang Park. \n\n\n\nGuided visits: 16 & 23 March or 20 April at 6pm
URL:https://lafa-asbl.com/event/journey-to-the-land-of-morning-calm/
LOCATION:Cercle Munster\, 5-7\, rue Münster\, Luxembourg\, L-2160
CATEGORIES:Exhibitions,Public activities
ATTACH;FMTTYPE=image/webp:https://lafa-asbl.com/wp-content/uploads/2024/06/visage-2023-100-x100.jpeg.webp
ORGANIZER;CN="Artskoco":MAILTO:contact@artskoco.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20240612T000000
DTEND;TZID=Europe/Zurich:20240727T235959
DTSTAMP:20260404T004551
CREATED:20240603T184907Z
LAST-MODIFIED:20240604T044212Z
UID:29750-1718150400-1722124799@lafa-asbl.com
SUMMARY:German urban Pop-Art by Thomas Baumgärtel
DESCRIPTION:Thomas Baumgärtel (64 years old) is a German artist who lives and works in Cologne. \n\n\n\n“Thomas Baumgärtel is much more than a simple painter in the classical sense. In addition to drawings and prints\, his intermedial work also includes photo collages\, as well as overpaintings of photos and spray paintings of ‘old masters’ and objects. He has not only engaged with traditional easel painting but also intensely with mural painting in public spaces. \n\n\n\nThe wide spectrum of his artistic work extends to action art and shows how fluid the boundaries between sculpture and action are for him. In addition to his subversive spray actions\, his performances and happenings\, particularly those with a dinosaur-like banana\, an oversized and foldable banana sculpture on wheels\, have caused a considerable sensation. Even today\, the ‘Banana at the Brandenburg Gate’ campaign in Berlin is waiting for the starting signal.” (Dr. Bettina Baumgärtel\, Kunst Palast Museum Düsseldorf) \n\n\n\n“Works of art are a mirror of their time.” \n\n\n\nFor example\, if we refer to the works he creates on German Unity together with Harald Klemm\, we are very much in this theme. \n\n\n\nThe common thread of the works is the artistic examination and reaction to the historical and social changes brought about by the construction of the Wall\, the Cold War\, and the resulting reunification in 1989. \n\n\n\nThe two artists have been working together on the theme of “German Unity” since 1999. Each has his own personal motivations for dealing with reunification and the first peaceful revolution in German history. For Klemm\, one of the main questions remains to what extent “German Unity” has been achieved – as examples show\, the East and West are still treated differently politically. \n\n\n\nFor Thomas Baumgärtel\, a central medium of his work – the banana – is also one of the most important symbols of reunification. During his psychology studies\, he already addressed the psychological and social problems arising from the formation of German unity. Due to his training\, the psychological aspect has always been part of his work\, both on the reunification of Germany and on other themes. \n\n\n\nHis political and pacifist commitment is a common thread in his creations\, and the Banana is an ideal\, infinitely adaptable vector for this. It allows him to denounce the excesses of politics and politicians\, both in Germany and internationally\, with an offbeat but targeted perspective.
URL:https://lafa-asbl.com/event/german-urban-pop-art-by-thomas-baumgartel/
LOCATION:MOB-ART studio\, 19a\, avenue de la Porte-Neuve\, Luxembourg\, L-2227
CATEGORIES:Exhibitions,Public activities
ATTACH;FMTTYPE=image/jpeg:https://lafa-asbl.com/wp-content/uploads/2024/06/IMG_6195.jpeg
ORGANIZER;CN="MOB-ART studio":MAILTO:lucschroeder@mob-artstudio.lu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Luxembourg:20240607T000000
DTEND;TZID=Europe/Luxembourg:20240706T235959
DTSTAMP:20260404T004551
CREATED:20240626T150924Z
LAST-MODIFIED:20240626T150925Z
UID:30014-1717718400-1720310399@lafa-asbl.com
SUMMARY:Soraya Dagman\, Mia Kinsch – Echoing Colours
DESCRIPTION:© Samantha Wilvert\n\n\n\nBorn in 1993 in Saint-Brieuc\, Brittany\, France\, Soraya Dagman lives and works in Côtes d’Armor\, France. \n\n\n\nUsing oil paint\, Soraya works with light\, shadows and textures\, depicting drapery in scenes that oscillate between surrealism and ultra-figuration. The importance she places on drawing\, and in particular on observing her models\, lends her compositions a deep attachment to a certain reality. Indeed\, the preparation of her canvas is an essential stage\, between the first sketches\, the drawing that enables her to anticipate the placement of light and shadow\, and sometimes the composition of real scenes that she photographs to use as models. \n\n\n\nBut beyond this technical aspect\, the dreamlike nature of the colors she uses\, particularly violet\, is her way of capturing the poetic soul of everyday banalities\, and making them perceptible through painting. The same is true of the sometimes unusual associations of the objects she paints\, or the lassive attitudes of her models\, which always take us back to a world imbued with mysteriousness. \n\n\n\nBy combining a realistic technique with surrealist elements\, Soraya has fun bringing out the mystical in the real\, or the senseless in the ordinary. The formats presented at Galerie Le Rayon Vert illustrate some fragments of this approach. \n\n\n\nMia Kinsch\, born in 1995\, lives and works in Luxembourg. \n\n\n\nMia Kinsch shows the world she carries within her. She creates colorful\, naive and expressive works of art inspired by nature and the body. Her artistic practice explores the place of women in our society\, their rights and the inequalities between the sexes. It also allows her to digest her experience and express it in a meaningful way. The naked body and its relationship to my own body play a major role in her work. Through art\, she seeks a liberating practice where she dictates her choices. Mia is passionate about the body and what it represents\, how we are perceived\, in her case as a woman. It’s an exploration of the boundaries that surround the body today. \n\n\n\nMia Kinsch is an artist from Luxembourg. She studied and lived in Belgium and returned to Luxembourg this year. She has a degree in graphic design and is a freelance artist focusing on painting. She has collaborated with Fairtrade\, JIF Luxembourg\, Lëtzebuerger Land\, OUNI\, … Mia recently illustrated the new edition of “Reenert” and has participated in exhibitions in Brussels and Luxembourg over the past two years. In addition to her own art\, she runs workshops and has worked as a part-time gallery assistant.
URL:https://lafa-asbl.com/event/soraya-dagman-mia-kinsch-echoing-colours/
LOCATION:Reuter Bausch Art Gallery\, 14\, rue Notre-Dame\, Luxembourg\, L-2240
CATEGORIES:Exhibitions,Public activities
ATTACH;FMTTYPE=image/jpeg:https://lafa-asbl.com/wp-content/uploads/2024/06/IMG_6452-1.jpeg
ORGANIZER;CN="Reuter Bausch Art Gallery":MAILTO:mail@reuterbausch.lu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20240606T000000
DTEND;TZID=Europe/Zurich:20240727T235959
DTSTAMP:20260404T004551
CREATED:20240603T172923Z
LAST-MODIFIED:20240606T161533Z
UID:29730-1717632000-1722124799@lafa-asbl.com
SUMMARY:José Parlá - Arterial
DESCRIPTION:Zidoun-Bossuyt Luxembourg is thrilled to welcome for the first time in Europe\, José Parlá\, with a solo exhibition titled Arterial\, from 6 June to 27 July 2024. \n\n\n\n“Arterial: A Journey Through Urban and Natural Landscapes”\n\n\n\nIn ‘Arterial\,’ José Parlá invites viewers to embark on a visual journey that traverses the dynamic landscapes of both the urban jungle and the serene tranquility of the upstate forests. Inspired by his personal experiences navigating the arteries of New York City and the winding roads leading to the nearby wilderness\, each painting serves as a metaphorical exploration of connectivity\, movement\, and transformation. \n\n\n\nAs he traveled between the city’s bustling streets and the peaceful embrace of nature\, José Parlá couldn’t help but draws parallels between the intricate networks of roads\, bridges\, and subway lines and the complicated systems of veins\, arteries\, and cells within the human body. As blood flows through our veins\, energy pulses through the city’s infrastructure\, creating a constant sense of motion and vitality. Through heavy texture\, collage\, and a vibrant color palette inspired by the urban landscape and the ever-changing hues of nature’s seasons\, he aims to capture the essence of this duality. Each layer of paint represents a moment in time\, a snapshot of the cyclical nature of life and death\, growth\, and decay. \n\n\n\nFrom the stark beauty of winter’s icy grip to the vibrant burst of color that heralds the arrival of spring\, ‘Arterial’ invites viewers to contemplate the interconnectedness of all things and to find beauty in the rhythm of life’s eternal dance. As you immerse yourself in each painting\, let yourself be swept away by the ebb and flow of the city’s pulse and the timeless serenity of the natural world. \n\n\n\nJosé Parlá creates paintings and multidisciplinary works based on his interest in hybrid forms of abstraction. He draws inspiration from various mediums including music\, calligraphy\, dance\, and the decay of urban architecture and advertisements. His works poetically challenge ideas about language\, politics\, identity\, and how we define places and spaces. Parlá’s relationship with mark-making is physical and textural\, incorporating the body’s gestures into a painterly stream of consciousness composed of areas of addition\, erasure\, and layering that challenges the status quo of visual culture. \n\n\n\nBiography \n\n\n\nParlá was born in 1973 to Cuban parents in Miami\, Florida and lives and works out of Brooklyn\, New York. He studied painting at Savannah College of Art & Design (SCAD) in Savannah\, Georgia; the New World School of the Arts\, Miami\, Florida; and Miami Dade College\, Miami\, Florida. Solo exhibitions of Parlá’s work have been organized at institutions such as The Bronx Museum\, New York (2022); Gana Art Center\, Seoul (2022); Hong Kong Contemporary Art (HOCA) Foundation\, Hong Kong (2019); Neuberger Museum of Art\, New York (2018); SCAD Museum of Art\, Savannah (2017); Goss-Michael Foundation\, Dallas (2016); High Museum of Art\, Atlanta (2015); amongst others. Public arts projects include permanent large scale commissions including Far Rockaway Writer’s Library\, a collaboration between Snøhetta and Parlá\, New York (2023); Amistad América\, University of Texas\, Austin (2018); One Union of the Senses\, ONE World Trade Center\, New York (2015); Nature of Language\, in collaboration with Snøhetta\, Hunt Library at North Carolina State University\, Raleigh (2013); Diary of Brooklyn\, Barclays Center\, New York (2012). Parlá’s work is in several public collections including the Brooklyn Museum\, New York; Pérez Art Museum Miami (PAMM)\, Miami; The British Museum\, London; Buffalo AKG Art Museum\, New York; El Espacio\, Miami; POLA Museum of Art\, Japan; The Neuberger Museum of Art\, New York; and The National Museum of Fine Arts\, Havana.
URL:https://lafa-asbl.com/event/jose-parla-arterial/
LOCATION:Zidoun-Bossuyt Gallery\, 6 rue Saint-Ulric\, Luxembourg\, L-2651
CATEGORIES:Exhibitions,Public activities
ATTACH;FMTTYPE=image/jpeg:https://lafa-asbl.com/wp-content/uploads/2024/06/IMG_6293.jpeg
ORGANIZER;CN="Zidoun-Bossuyt Gallery":MAILTO:contact@zidoun-bossuyt.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20240606T000000
DTEND;TZID=Europe/Zurich:20240706T235959
DTSTAMP:20260404T004551
CREATED:20240528T171402Z
LAST-MODIFIED:20240606T161300Z
UID:29313-1717632000-1720310399@lafa-asbl.com
SUMMARY:Daniel Wagener – Pick One!
DESCRIPTION:‘PICK ONE’ marks the first gallery exhibition by luxembourgish photographer Daniel Wagener (*1988). The exhibition will present a selection of works produced in the past few years and will particularly highlight a series of photographs recently taken in Mexico. \n\n\n\nDaniel Wagener focuses on objects and urban landscapes that are both familiar and disturbing to him. He documents the traces accidentally left by people\, as well as the absurd normality of everyday life. In their saturated primary colors\, Wagener’s photographs depict ordinary scenes that propose new approaches to reality. At first glance\, these photographs follow an aesthetic\, functional and pragmatic visual language\, with an undeniable touch of humor. At a second glance\, they reveal reflections on society and the environment we create around us. \n\n\n\nDaniel Wagener studied photography at ‘Académie Royale de Bruxelles’\, in Brussels. He won several awards\, such as the LUPA – Luxembourg Photography Award (2023)\, and the Prix Edward Steichen (2018). Important exhibitions include his 2023 solo presentation ‘Opus Incertum’ at the photography festival ‘Rencontres d’Arles’\, in Arles\, and later on at CNA – Pomhouse\, LU\, ‘Freigeister’ at MUDAM\, LU and ‘Les Conseillers’\, at Kanal Pompidou\, Brussels\, BE amongst others.
URL:https://lafa-asbl.com/event/daniel-wagener-pick-one/
LOCATION:Valerius Gallery\, 1\, Place du Theatre\, Luxembourg\, L-2613
CATEGORIES:Exhibitions,Public activities
ATTACH;FMTTYPE=image/jpeg:https://lafa-asbl.com/wp-content/uploads/2024/06/IMG_6291-scaled.jpeg
ORGANIZER;CN="Valerius Gallery":MAILTO:info@valeriusartgallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20240528T000000
DTEND;TZID=Europe/Zurich:20240618T235959
DTSTAMP:20260404T004551
CREATED:20240604T043336Z
LAST-MODIFIED:20240607T152934Z
UID:29760-1716854400-1718755199@lafa-asbl.com
SUMMARY:Hermann Reimer – 'Interior' Intermission
DESCRIPTION:Hermann Reimer (* 1959\, Münster\, Germany) lives and works in Berlin. Initially\, Reimer studied physics\, before dedicating himself to art studies at the “Universität der Künste in Berlin” in 1985. The artist focuses on interior and urban exterior spaces\, often blurring the boundaries between the two. His depictions of hotels\, vacation apartments\, living rooms\, and landscapes often feature stage-like interiors devoid of people or with solitary figures\, separated by abstract elements. His paintings are characterized by sections where depicted objects and people seem to dissolve\, blurring the line between foreground and background. Reimer’s compositions\, while comprised of familiar elements\, alienate the viewer\, preventing them from finding rest.
URL:https://lafa-asbl.com/event/hermann-reimer-entracte-interieurs/
LOCATION:Galerie Schortgen\, 24\, rue Beaumont\, Luxembourg\, L-1219\, Luxembourg
CATEGORIES:Exhibitions,Public activities
ATTACH;FMTTYPE=image/jpeg:https://lafa-asbl.com/wp-content/uploads/2024/06/IMG_6294.jpeg
ORGANIZER;CN="Galerie Schortgen":MAILTO:galerie@schortgen.lu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20240516T000000
DTEND;TZID=Europe/Zurich:20240615T235959
DTSTAMP:20260404T004551
CREATED:20240603T191129Z
LAST-MODIFIED:20240604T051726Z
UID:29753-1715817600-1718495999@lafa-asbl.com
SUMMARY:Trixi Weis – Invisibles
DESCRIPTION:Born in Luxembourg in 1967. Lives and works in Luxembourg. \n\n\n\nThrough numerous artistic practices and a great diversity of materials\, Trixi Weis creates works\, each telling a story. Even though the artist rejects working in series\, her work reveals certain common threads such as fairy tales at the beginning of her career or ephemeral in-situ installations in natural environments. Other creations that use food as subject and material are interactive. Trixi Weis often stages herself in performances\, videos\, and small kinetic sculptures\, on themes of solitude\, celebrations\, love\, and sexuality. She regularly creates scenographies for theater and dance. More recently\, she has been creating monumental sculptures\, notably for public buildings. All her works\, even those addressing more serious subjects and criticizing our society\, almost always integrate a note of humor\, making Trixi “…a mischievous artist\, gently subversive.”
URL:https://lafa-asbl.com/event/trixi-weis-invisibles/
LOCATION:Nosbaum Reding\, 2\, Rue Wiltheim\, Luxembourg\, L-2733
CATEGORIES:Exhibitions,Public activities
ATTACH;FMTTYPE=image/jpeg:https://lafa-asbl.com/wp-content/uploads/2024/06/IMG_6196.jpeg
ORGANIZER;CN="Nosbaum Reding":MAILTO:reding@nosbaumreding.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20240516T000000
DTEND;TZID=Europe/Zurich:20240608T235959
DTSTAMP:20260404T004551
CREATED:20240606T160338Z
LAST-MODIFIED:20240606T160705Z
UID:29859-1715817600-1717891199@lafa-asbl.com
SUMMARY:Lib Shkupolli
DESCRIPTION:Lib Shkupolli\, known as Lib\, is an artist whose current work delves into the complexities of identity\, masculinity\, and the human form. Raised in Luxembourg but with roots in Kosovo\, Lib’s artistic journey has been shaped by his cultural heritage and his experiences navigating our society. \n\n\n\nLib’s artistic journey is a tapestry of experiences\, each thread contributing to the rich texture of his work. From his early days studying fine arts in Berlin to his later pursuits in socio-education in Liège\, Lib’s path has been marked by a quest for self-discovery and a commitment to exploring the human condition through art. His return to Luxembourg a decade ago marked a homecoming of sorts\, yet it also signaled a new chapter in his creative evolution. Balancing his role as an „éducateur gradué“ with his passion for art\, Lib found inspiration in the intersection of these seemingly disparate worlds\, recognizing the inherent connections between education and artistic expression\, allowing a symbiotic relationship between the two. \n\n\n\nIn his intimate home studio\, nestled in the depths of his basement\, Lib’s creative vision comes to life. It is here\, amidst the comforting hum of his surroundings\, that he channels his experiences\, thoughts\, and observations into tangible form. Inspired by nature and flowers\, the series of vases created during the tumultuous era of the pandemic served as a starting point for Lib’s creative process\, capturing both the fragility and resilience of the human spirit. Infused with bold colors and organic shapes\, these vases carry a weightiness in their rounded forms inviting viewers to pause\, reflect\, and find solace in their beauty. With their sand-like material and voluminous appearance however\, they project a sense of strength and robustness. \n\n\n\nMoving forward\, Lib aims to explore this exact fluidity and heaviness of form\, particularly focusing on the male body and its relationship to masculinity. Through his new creations\, he seeks to challenge stereotypes and invites viewers to reconsider preconceived notions of strength and vulnerability and to question the narratives that shape our understanding of identity. \n\n\n\nHis works\, displayed at Creutz(&)Friends\, serve as catalysts for dialogue\, encouraging conversations about identity\, representation\, and the intersections of social body perception and art. Lib’s creations are not just aesthetically striking but also thought-provoking\, offering a fresh perspective on the complexities of the human experience. \n\n\n\nAbout YLA — Young Luxembourgish Artists\n\n\n\nThe original idea of YLA (Young Luxembourgish Artists) is based on the loose artist group ‘Young British Artists’\, which was founded in London\, UK\, in 1988 with artists such as Tracey Emin\, Damien Hirst\, JennySaville\, Cornelia Parker\, Sarah Lucas\, Gary Hume\, Tacity Dean\,… The majority of these artists studied Fine Art at Goldsmiths College of Art\, London UK. They became known for their shock tactics and their opennessto experiment with different materials and media. Their exhibition ‘Sensation’ received much attention and was widely discussed in the press. \n\n\n\nYLA was founded in 2021 because we felt the need to give a platform to young artists from Luxembourg. The first exhibition was a big project with 12 artists\, exhibited in two separate spaces. After the exhibition wedecided to set up a non-profit association called YLA – Young Luxembourgish Artists. We continue organizing exhibitions under that association and act as a guide for the artists along their career. This year’s groupexhibition presents the work of 9 artists. \n\n\n\nThe majority of the artists that we show in the framework of YLA have completed studies in Fine Arts or Visual Arts. All of them have been born between the 1980s and 1990s. These artists are by no means a collective of artists\, and should not represent a canon in art\, but rather present different perspectives and express themselves freely through different media. They deal with current issues and ask questions. Most of these artists have had few or no exhibitions in Luxembourg but a few exhibitions abroad. The exhibitions weorganize are always curated and selected by us. \n\n\n\nThe artists we select for YLA have completed their studies abroad\, due to the lack of art schools in their own country. This is by no means a criticism\, however\, as studying abroad broadens horizons and opens up newpathways. Thus\, we think it’s important to give these artists visibility in the country they were born in or grewup in. \n\n\n\nWe are happy to provide a base at the beginning of their career and to show their talent to a large audience. \n\n\n\nYLA was founded by Lou PHILIPPS and Gerard VALERIUS from Valerius Gallery.
URL:https://lafa-asbl.com/event/lib-shkupolli/
LOCATION:Creutz&Friends\, 22\, rue du Marché-aux-herbes\, Luxembourg\, L-1718
CATEGORIES:Exhibitions,Public activities
ATTACH;FMTTYPE=image/jpeg:https://lafa-asbl.com/wp-content/uploads/2024/06/IMG_6288-scaled.jpeg
ORGANIZER;CN="Valerius Gallery":MAILTO:info@valeriusartgallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20240515T000000
DTEND;TZID=Europe/Zurich:20240608T235959
DTSTAMP:20260404T004551
CREATED:20240607T040130Z
LAST-MODIFIED:20240607T152814Z
UID:29875-1715731200-1717891199@lafa-asbl.com
SUMMARY:Arthur Unger – Reminiscence
DESCRIPTION:
URL:https://lafa-asbl.com/event/arthur-unger-reminiscence/
LOCATION:Galerie F. Hessler\, 21\, rue Astrid\, Luxembourg\, L-1143
CATEGORIES:Exhibitions,Public activities
ATTACH;FMTTYPE=image/jpeg:https://lafa-asbl.com/wp-content/uploads/2024/06/IMG_6299.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20240502T000000
DTEND;TZID=Europe/Zurich:20240615T235959
DTSTAMP:20260404T004551
CREATED:20240528T171900Z
LAST-MODIFIED:20240604T051659Z
UID:29321-1714608000-1718495999@lafa-asbl.com
SUMMARY:Stephan Balkenhol
DESCRIPTION:For his new exhibition at Nosbaum Reding Gallery\, German sculptor Stephan Balkenhol presents a series of recent works made in his trademark woodcarving technique. \n\n\n\nIt was during his studies at the Hamburg School of Fine Arts in the late 1970s that Balkenhol developed a sculptural practice in reaction to the minimalist and conceptual trends of the time. Noting a kind of absence in these avant-garde movements\, he decided to devote himself to figuration in a bid to reconnect with\, and renew\, a long tradition of classic sculpture. \n\n\n\nHis works\, which seem to be inspired in particular by medieval polychrome sculpture\, depict human figures with anonymous features\, carved with hammer and chisel from a single bloc of wood (poplar or wawa)\, whose imperfections and veins are left visible. Standing on plinths with which they seem to merge\, they are contemporary but timeless characters whose expression is simultaneously hesitant and confident. As archetypes oscillating between the prosaic and the sacred\, their indecisiveness puzzles viewers while opening up a wealth of narrative possibilities. \n\n\n\nStephan Balkenhol was born in 1957 in Fritzlar (Hesse). He lives and works in Meisenthal (France) and in Kassel (Germany). His works can be found in numerous public and private collections worldwide\, including Montreal Museum of Fine Arts; Hirshhorn Museum and Sculpture Garden – Smithsonian Institution\, Washington\, DC; Art Institute of Chicago; Hamburger Bahnhof\, Berlin; Kunstmuseum Bonn; Museum of Grenoble; National Museum of Art\, Osaka; and Peggy Guggenheim Collection\, Venice. The personal exhibition Stephan Balkenhol meets Old Masters – Window in Time is currently on show at the Museum of Wiesbaden (Germany). He is also known for his works in public space\, among others at Blackfriars Bridge in London\, at the entrance to the Hamburg Zoo\, at Städel in Frankfurt\, and in Kassel and Leipzig. He has been teaching at the Academy of Fine Arts in Karlsruhe since 1992.
URL:https://lafa-asbl.com/event/stephan-balkenhol/
LOCATION:Nosbaum Reding\, 2\, Rue Wiltheim\, Luxembourg\, L-2733
CATEGORIES:Exhibitions,Public activities
ATTACH;FMTTYPE=image/jpeg:https://lafa-asbl.com/wp-content/uploads/2024/05/stephan_balkenhol_nosbaum_reding_345-scaled.jpeg
ORGANIZER;CN="Nosbaum Reding":MAILTO:reding@nosbaumreding.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20240502T000000
DTEND;TZID=Europe/Zurich:20240608T235959
DTSTAMP:20260404T004551
CREATED:20240528T164737Z
LAST-MODIFIED:20240604T042757Z
UID:29298-1714608000-1717891199@lafa-asbl.com
SUMMARY:DNA — Emmanuel Fey\, Thomas Iser\, Samuël Levy and Olivier Potozec (aka Sader)
DESCRIPTION:DNA: Artists with unique graphics but a common origin:\n\n\n\n\nSamuël LEVY develops Black Forest.\n\n\n\nKit Empire accompanies their little monsters in bright colors.\n\n\n\nThomas ISER explores his Galactic Labyrinth.\n\n\n\nOlivier SADER develops the letter\, its coloring\, and the repetition of movements.
URL:https://lafa-asbl.com/event/a-d-n-emmanuel-fey-thomas-iser-samuel-levy-et-olivier-potozec-dit-sader/
LOCATION:MOB-ART studio\, 19a\, avenue de la Porte-Neuve\, Luxembourg\, L-2227
CATEGORIES:Exhibitions,Public activities
ATTACH;FMTTYPE=image/jpeg:https://lafa-asbl.com/wp-content/uploads/2024/05/IMG_6198.jpeg
ORGANIZER;CN="MOB-ART studio":MAILTO:lucschroeder@mob-artstudio.lu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Luxembourg:20240420T000000
DTEND;TZID=Europe/Luxembourg:20240525T235959
DTSTAMP:20260404T004551
CREATED:20240527T152655Z
LAST-MODIFIED:20240603T175123Z
UID:29072-1713571200-1716681599@lafa-asbl.com
SUMMARY:Lumières et reflets — Jean Moiras
DESCRIPTION:
URL:https://lafa-asbl.com/event/test/
LOCATION:Galerie Schortgen\, 24\, rue Beaumont\, Luxembourg\, L-1219\, Luxembourg
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://lafa-asbl.com/wp-content/uploads/2024/05/moiras-2.jpeg
ORGANIZER;CN="Galerie Schortgen":MAILTO:galerie@schortgen.lu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20240228T000000
DTEND;TZID=Europe/Zurich:20240518T235959
DTSTAMP:20260404T004551
CREATED:20240604T050346Z
LAST-MODIFIED:20240604T050349Z
UID:29775-1709078400-1716076799@lafa-asbl.com
SUMMARY:Larissa Strunowa — The Rite of Spring
DESCRIPTION:With a vigorous brush stroke\, Larissa Strunowa paints without taboos or prejudices human bodies working with transparencies and contrasting colors. Using only the basic principles of body representation – the contour and color – the artist evokes the nude without showing it completely and detaches itself from the purely realistic representation.The mysterious universe of her works\, both disturbing and fascinating\, gives to voluptuous silhouettes a captivating aura. Due to the sculptural appearance of the bodies\, the magnified postures and the chosen environment\, some works plunge us into scenes inspired by reinvented legends and mythologies.The works of Larissa Strunowa are all facets of her mind. It is rare to be able to perceive with such clarity the profound thoughts of an artist; Perhaps it is possible because Larissa is a full-fledged\, uncensored and unstated soul.
URL:https://lafa-asbl.com/event/larissa-strunowa-the-rite-of-spring/
LOCATION:CultureInside gallery\, 8\, rue Notre-Dame\, Luxembourg\, L-2240
CATEGORIES:Exhibitions,Public activities
ATTACH;FMTTYPE=image/jpeg:https://lafa-asbl.com/wp-content/uploads/2024/06/Waterlilies-Larissa-Strunowa-huile-sur-toile-115-x-175-cm-2018-600x400-1.jpg
ORGANIZER;CN="CultureInside gallery":MAILTO:gallery@cultureinside.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20231109T160000
DTEND;TZID=Europe/Zurich:20231109T170000
DTSTAMP:20260404T004551
CREATED:20240529T114928Z
LAST-MODIFIED:20240604T064120Z
UID:29384-1699545600-1699549200@lafa-asbl.com
SUMMARY:Demystifying Due Diligence: For a transparent Art Market
DESCRIPTION:Art valuation\, Client Due Diligence\, Artwork/title Due Diligence\, Forensic Analysis\, Transaction Due Diligence\, Litigation risks\, Regulatory risks\, Insurance\, Logistics\, and Art professionals good practices: How to mitigate artworks sales and purchases risks. \n\n\n\nIn today’s art market\, collectors\, investors\, family offices and private banks have become even more cautious when involved in art transactions. \n\n\n\nDue diligence must be an essential part of art transactions: Investigating and obtaining as much information as possible about the parties to the proposed transaction\, the artwork which is the object of the transaction and the execution of transaction itself protects art businesses and collectors and helps them manage risks. This conference aims to demystifying the collecting journey through an interactive dialogue and practical tips with a panel of art market professionals. \n\n\n\n\nClient Due Diligence: Seller’s Credentials\, Intermediaries and their authority to act\, sanctions and red flags checks\n\n\n\nArtwork Due Diligence: Identification\, Ownership/title\, artwork location and recent movement\, forensic analysis including provenance research\, condition and authenticity\, valuation\n\n\n\nTransaction Due Diligence: Purpose and form of the transaction\, source of funds and documentation\, Litigation risks and Regulatory risks including Import and export restrictions\, application of Anti-Money Laundering Laws\n\n\n\n\nModerator:  \n\n\n\nDr. Eric Perru\, Partner\, Pinsent Masons Luxembourg\, Vice-President of LAFA \n\n\n\nSpeakers:  \n\n\n\n\nAude Lemogne\, Director\, Link Management\, member of the Board of Directors of AXA Wealth Europe\n\n\n\nGlenn Meyer\, Partner in the Banking&Financial Services practice\, Arendt & Medernach\n\n\n\nEmmanuel Van de Putte\, Senior Director\, Managing Director\, Sotheby’s Brussels and Luxembourg\n\n\n\nDr. Stephan Zilkens\, Managing Partner\, Zilkens Fine Art Insurance Broker GmbH\n\n\n\n\nConference held in English and organized on the occasion of Luxembourg Art Week. \n\n\n\nFollowing the conference\, participants will be given free admission to the Preview of Luxembourg Art Week. \n\n\n\nSubjects to seat availability\, requires prior registration on contact@lafa.lu.
URL:https://lafa-asbl.com/event/demystifying-due-diligence-for-a-transparent-art-market/
LOCATION:Luxembourg Art Week\, Glacis Square (Fouerplaatz)\, Luxembourg\, L-1628
CATEGORIES:Conferences,Public activities
ATTACH;FMTTYPE=image/jpeg:https://lafa-asbl.com/wp-content/uploads/2024/05/IMG_6091.jpeg
ORGANIZER;CN="LAFA":MAILTO:contact@lafa.lu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20230423T173000
DTEND;TZID=Europe/Zurich:20230423T183000
DTSTAMP:20260404T004551
CREATED:20240604T061723Z
LAST-MODIFIED:20240607T161653Z
UID:29790-1682271000-1682274600@lafa-asbl.com
SUMMARY:New directive on value added tax for galleries and art dealers based in Luxembourg
DESCRIPTION:Information session on the new directive on value added tax for galleries and art dealers based in Luxembourg. On the occasion of this workshop\, Karine Bellony\, Founding Partner of VAT Solutions will present the new directive on value added tax for galleries and art dealers based in Luxembourg. \n\n\n\nAbout VAT Solutions\n\n\n\nVAT Solutions is a Luxembourg based company in operation since 2011 specialised in Indirect Tax services (VAT\, Customs and Excise duties) for commercial and financial industry clients’ cross-border activities of goods and services within the European Union. VAT Solutions provides independent VAT support services with the aim to optimize and secure your EU VAT and customs organization. VAT Solutions works closely with its clients to implement: Efficient VAT organization\, Optimized and secured international Supply Chains\, Financial transactions with controlled costs. \n\n\n\nAbout Karine Bellony\n\n\n\nManaging partner and founder of VAT solutions\, Karine Bellony\, with over 24 years of professional experience\, accompanies its international customers in their intra-Community VAT and customs issues both in Luxembourg and in the other Member States. \n\n\n\nAfter studying law at the University of Paris 1 Panthéon Sorbonne and a first professional experience as a notary. \n\n\n\nKarine joined the Peugeot Citroën group for more than 7 years as Head of Tax Representation and then Customs of the transport subsidiary GEFCO. In Luxembourg\, she spent 3 years as VAT/Customs Director at PwC Luxembourg\, then joined the Kuehne+Nagel group for a year as VAT Senior Vice President. In 2011\, she founded the Luxembourg company VAT Solutions and opened in 2018 the first VAT Solutions subsidiary in France to meet the growing demand of customers. \n\n\n\nActive in several professional associations\, she regularly speaks at conferences in Luxembourg and abroad.
URL:https://lafa-asbl.com/event/new-directive-on-value-added-tax-for-galleries-and-art-dealers-based-in-luxembourg/
LOCATION:Tero House17\, 17\, rue du Nord\, Luxembourg\, L-2229
CATEGORIES:Members activities,Professional workshops
ATTACH;FMTTYPE=image/jpeg:https://lafa-asbl.com/wp-content/uploads/2024/06/IMG_6199.jpeg
ORGANIZER;CN="LAFA":MAILTO:contact@lafa.lu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20221207T170000
DTEND;TZID=Europe/Zurich:20221207T180000
DTSTAMP:20260404T004551
CREATED:20240529T124249Z
LAST-MODIFIED:20240609T085102Z
UID:29415-1670432400-1670436000@lafa-asbl.com
SUMMARY:COPEL Subsides
DESCRIPTION:Luxembourg Art Week\, exhibition view\, 2022 edition © Sophie Margue\n\n\n\nInformation session on the subsides available to gallery owners-exhibitors. \n\n\n\nSimone Joachim\, Director of Office of Ducroire\, will explain the subsides granted under the Committee for the promotion of Luxembourg exports (COPEL) scheme and the procedures and formalities for galleries to access it. The presentation will be followed by a Q&A session.
URL:https://lafa-asbl.com/event/copel-subsides/
LOCATION:Office du Ducroire\, 65 rue d’Eich\, Luxembourg\, L-1461
CATEGORIES:Members activities,Professional workshops
ATTACH;FMTTYPE=image/jpeg:https://lafa-asbl.com/wp-content/uploads/2024/05/IMG_7683-1200x743-1.jpeg
ORGANIZER;CN="LAFA":MAILTO:contact@lafa.lu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20221110T180000
DTEND;TZID=Europe/Zurich:20221110T190000
DTSTAMP:20260404T004551
CREATED:20240607T162708Z
LAST-MODIFIED:20240607T162710Z
UID:29925-1668103200-1668106800@lafa-asbl.com
SUMMARY:Next Gen Collectors\, Artists\, and Sales Channels: How is the art market changing?
DESCRIPTION:Empowering young artists\, from creating their portfolio to social media and direct selling\, multiplication of sales channels\, from the physical place to the metaverse\, is there a potential risk of scarcity for the galleries in the first market? What do young collectors want\, what they do buy\, and as they will find their financial footing\, will they add rocket fuel to the art market or blow it up entirely? \n\n\n\nModerator:\n\n\n\nPierre Naquin\, entrepreneur in the fields of innovation\, technology\, and art\, founder of the Art Media Agency platform\, publisher of the magazine AMA\, distributed at major art fairs. He was also the director of the publication L’Art et la fiscalité du collectionneur dans le monde (A&F markets\, 2014). \n\n\n\nSpeakers: \n\n\n\n\nGeorgina Adam\, Financial Times\, The Art Newspaper\n\n\n\nEugenie Dumont\, Art Collections Manager\, Degroof Petercam\n\n\n\nProfessor Dr. Roman Kräussl\, Faculty of Law\, Economics and Finance\, Department of Finance\, University of Luxembourg\n\n\n\nMaria Lund\, Galerie Maria Lund\n\n\n\n\nThe conference will be held in English and organised on the occasion of Luxembourg Art Week. \n\n\n\nFollowing the conference\, participants will be given free admission to the Preview of Luxembourg Art Week.
URL:https://lafa-asbl.com/event/next-gen-collectors-artists-and-sales-channels-how-is-the-art-market-changing/
LOCATION:Luxembourg Art Week\, Glacis Square (Fouerplaatz)\, Luxembourg\, L-1628
CATEGORIES:Conferences,Public activities
ATTACH;FMTTYPE=image/jpeg:https://lafa-asbl.com/wp-content/uploads/2024/06/IMG_6200.jpeg
ORGANIZER;CN="LAFA":MAILTO:contact@lafa.lu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20211213T180000
DTEND;TZID=Europe/Zurich:20211213T193000
DTSTAMP:20260404T004551
CREATED:20240607T154148Z
LAST-MODIFIED:20240612T085943Z
UID:29916-1639418400-1639423800@lafa-asbl.com
SUMMARY:End-of-year Cocktail
DESCRIPTION:LAFA is pleased to invite its members to an end-of-year gathering on Monday\, December 13\, from 6:00 PM to 7:30 PM at the Fellner Contemporary gallery. \n\n\n\nOn this occasion\, Hans Fellner\, the gallery director\, will present this new gallery opened in the fall of 2020 and its program featuring Luxembourgish artists.
URL:https://lafa-asbl.com/event/end-of-year-cocktail/
LOCATION:Fellner Contemporary Art\, 2a\, rue Wiltheim\, Luxembourg\, L-2733
CATEGORIES:End-of-year cocktail,Members activities
ATTACH;FMTTYPE=image/jpeg:https://lafa-asbl.com/wp-content/uploads/2024/06/IMG_6323.jpeg
ORGANIZER;CN="LAFA":MAILTO:contact@lafa.lu
END:VEVENT
END:VCALENDAR