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DTSTART;TZID=Europe/Zurich:20240606T000000
DTEND;TZID=Europe/Zurich:20240706T235959
DTSTAMP:20260526T221642
CREATED:20240528T171402Z
LAST-MODIFIED:20240606T161300Z
UID:29313-1717632000-1720310399@lafa-asbl.com
SUMMARY:Daniel Wagener – Pick One!
DESCRIPTION:‘PICK ONE’ marks the first gallery exhibition by luxembourgish photographer Daniel Wagener (*1988). The exhibition will present a selection of works produced in the past few years and will particularly highlight a series of photographs recently taken in Mexico. \n\n\n\nDaniel Wagener focuses on objects and urban landscapes that are both familiar and disturbing to him. He documents the traces accidentally left by people\, as well as the absurd normality of everyday life. In their saturated primary colors\, Wagener’s photographs depict ordinary scenes that propose new approaches to reality. At first glance\, these photographs follow an aesthetic\, functional and pragmatic visual language\, with an undeniable touch of humor. At a second glance\, they reveal reflections on society and the environment we create around us. \n\n\n\nDaniel Wagener studied photography at ‘Académie Royale de Bruxelles’\, in Brussels. He won several awards\, such as the LUPA – Luxembourg Photography Award (2023)\, and the Prix Edward Steichen (2018). Important exhibitions include his 2023 solo presentation ‘Opus Incertum’ at the photography festival ‘Rencontres d’Arles’\, in Arles\, and later on at CNA – Pomhouse\, LU\, ‘Freigeister’ at MUDAM\, LU and ‘Les Conseillers’\, at Kanal Pompidou\, Brussels\, BE amongst others.
URL:https://lafa-asbl.com/event/daniel-wagener-pick-one/
LOCATION:Valerius Gallery\, 1\, Place du Theatre\, Luxembourg\, L-2613
CATEGORIES:Exhibitions,Public activities
ATTACH;FMTTYPE=image/jpeg:https://lafa-asbl.com/wp-content/uploads/2024/06/IMG_6291-scaled.jpeg
ORGANIZER;CN="Valerius Gallery":MAILTO:info@valeriusartgallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20240606T000000
DTEND;TZID=Europe/Zurich:20240727T235959
DTSTAMP:20260526T221642
CREATED:20240603T172923Z
LAST-MODIFIED:20240606T161533Z
UID:29730-1717632000-1722124799@lafa-asbl.com
SUMMARY:José Parlá - Arterial
DESCRIPTION:Zidoun-Bossuyt Luxembourg is thrilled to welcome for the first time in Europe\, José Parlá\, with a solo exhibition titled Arterial\, from 6 June to 27 July 2024. \n\n\n\n“Arterial: A Journey Through Urban and Natural Landscapes”\n\n\n\nIn ‘Arterial\,’ José Parlá invites viewers to embark on a visual journey that traverses the dynamic landscapes of both the urban jungle and the serene tranquility of the upstate forests. Inspired by his personal experiences navigating the arteries of New York City and the winding roads leading to the nearby wilderness\, each painting serves as a metaphorical exploration of connectivity\, movement\, and transformation. \n\n\n\nAs he traveled between the city’s bustling streets and the peaceful embrace of nature\, José Parlá couldn’t help but draws parallels between the intricate networks of roads\, bridges\, and subway lines and the complicated systems of veins\, arteries\, and cells within the human body. As blood flows through our veins\, energy pulses through the city’s infrastructure\, creating a constant sense of motion and vitality. Through heavy texture\, collage\, and a vibrant color palette inspired by the urban landscape and the ever-changing hues of nature’s seasons\, he aims to capture the essence of this duality. Each layer of paint represents a moment in time\, a snapshot of the cyclical nature of life and death\, growth\, and decay. \n\n\n\nFrom the stark beauty of winter’s icy grip to the vibrant burst of color that heralds the arrival of spring\, ‘Arterial’ invites viewers to contemplate the interconnectedness of all things and to find beauty in the rhythm of life’s eternal dance. As you immerse yourself in each painting\, let yourself be swept away by the ebb and flow of the city’s pulse and the timeless serenity of the natural world. \n\n\n\nJosé Parlá creates paintings and multidisciplinary works based on his interest in hybrid forms of abstraction. He draws inspiration from various mediums including music\, calligraphy\, dance\, and the decay of urban architecture and advertisements. His works poetically challenge ideas about language\, politics\, identity\, and how we define places and spaces. Parlá’s relationship with mark-making is physical and textural\, incorporating the body’s gestures into a painterly stream of consciousness composed of areas of addition\, erasure\, and layering that challenges the status quo of visual culture. \n\n\n\nBiography \n\n\n\nParlá was born in 1973 to Cuban parents in Miami\, Florida and lives and works out of Brooklyn\, New York. He studied painting at Savannah College of Art & Design (SCAD) in Savannah\, Georgia; the New World School of the Arts\, Miami\, Florida; and Miami Dade College\, Miami\, Florida. Solo exhibitions of Parlá’s work have been organized at institutions such as The Bronx Museum\, New York (2022); Gana Art Center\, Seoul (2022); Hong Kong Contemporary Art (HOCA) Foundation\, Hong Kong (2019); Neuberger Museum of Art\, New York (2018); SCAD Museum of Art\, Savannah (2017); Goss-Michael Foundation\, Dallas (2016); High Museum of Art\, Atlanta (2015); amongst others. Public arts projects include permanent large scale commissions including Far Rockaway Writer’s Library\, a collaboration between Snøhetta and Parlá\, New York (2023); Amistad América\, University of Texas\, Austin (2018); One Union of the Senses\, ONE World Trade Center\, New York (2015); Nature of Language\, in collaboration with Snøhetta\, Hunt Library at North Carolina State University\, Raleigh (2013); Diary of Brooklyn\, Barclays Center\, New York (2012). Parlá’s work is in several public collections including the Brooklyn Museum\, New York; Pérez Art Museum Miami (PAMM)\, Miami; The British Museum\, London; Buffalo AKG Art Museum\, New York; El Espacio\, Miami; POLA Museum of Art\, Japan; The Neuberger Museum of Art\, New York; and The National Museum of Fine Arts\, Havana.
URL:https://lafa-asbl.com/event/jose-parla-arterial/
LOCATION:Zidoun-Bossuyt Gallery\, 6 rue Saint-Ulric\, Luxembourg\, L-2651
CATEGORIES:Exhibitions,Public activities
ATTACH;FMTTYPE=image/jpeg:https://lafa-asbl.com/wp-content/uploads/2024/06/IMG_6293.jpeg
ORGANIZER;CN="Zidoun-Bossuyt Gallery":MAILTO:contact@zidoun-bossuyt.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Luxembourg:20240607T000000
DTEND;TZID=Europe/Luxembourg:20240706T235959
DTSTAMP:20260526T221642
CREATED:20240626T150924Z
LAST-MODIFIED:20240626T150925Z
UID:30014-1717718400-1720310399@lafa-asbl.com
SUMMARY:Soraya Dagman\, Mia Kinsch – Echoing Colours
DESCRIPTION:© Samantha Wilvert\n\n\n\nBorn in 1993 in Saint-Brieuc\, Brittany\, France\, Soraya Dagman lives and works in Côtes d’Armor\, France. \n\n\n\nUsing oil paint\, Soraya works with light\, shadows and textures\, depicting drapery in scenes that oscillate between surrealism and ultra-figuration. The importance she places on drawing\, and in particular on observing her models\, lends her compositions a deep attachment to a certain reality. Indeed\, the preparation of her canvas is an essential stage\, between the first sketches\, the drawing that enables her to anticipate the placement of light and shadow\, and sometimes the composition of real scenes that she photographs to use as models. \n\n\n\nBut beyond this technical aspect\, the dreamlike nature of the colors she uses\, particularly violet\, is her way of capturing the poetic soul of everyday banalities\, and making them perceptible through painting. The same is true of the sometimes unusual associations of the objects she paints\, or the lassive attitudes of her models\, which always take us back to a world imbued with mysteriousness. \n\n\n\nBy combining a realistic technique with surrealist elements\, Soraya has fun bringing out the mystical in the real\, or the senseless in the ordinary. The formats presented at Galerie Le Rayon Vert illustrate some fragments of this approach. \n\n\n\nMia Kinsch\, born in 1995\, lives and works in Luxembourg. \n\n\n\nMia Kinsch shows the world she carries within her. She creates colorful\, naive and expressive works of art inspired by nature and the body. Her artistic practice explores the place of women in our society\, their rights and the inequalities between the sexes. It also allows her to digest her experience and express it in a meaningful way. The naked body and its relationship to my own body play a major role in her work. Through art\, she seeks a liberating practice where she dictates her choices. Mia is passionate about the body and what it represents\, how we are perceived\, in her case as a woman. It’s an exploration of the boundaries that surround the body today. \n\n\n\nMia Kinsch is an artist from Luxembourg. She studied and lived in Belgium and returned to Luxembourg this year. She has a degree in graphic design and is a freelance artist focusing on painting. She has collaborated with Fairtrade\, JIF Luxembourg\, Lëtzebuerger Land\, OUNI\, … Mia recently illustrated the new edition of “Reenert” and has participated in exhibitions in Brussels and Luxembourg over the past two years. In addition to her own art\, she runs workshops and has worked as a part-time gallery assistant.
URL:https://lafa-asbl.com/event/soraya-dagman-mia-kinsch-echoing-colours/
LOCATION:Reuter Bausch Art Gallery\, 14\, rue Notre-Dame\, Luxembourg\, L-2240
CATEGORIES:Exhibitions,Public activities
ATTACH;FMTTYPE=image/jpeg:https://lafa-asbl.com/wp-content/uploads/2024/06/IMG_6452-1.jpeg
ORGANIZER;CN="Reuter Bausch Art Gallery":MAILTO:mail@reuterbausch.lu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20240612T000000
DTEND;TZID=Europe/Zurich:20240727T235959
DTSTAMP:20260526T221642
CREATED:20240603T184907Z
LAST-MODIFIED:20240604T044212Z
UID:29750-1718150400-1722124799@lafa-asbl.com
SUMMARY:German urban Pop-Art by Thomas Baumgärtel
DESCRIPTION:Thomas Baumgärtel (64 years old) is a German artist who lives and works in Cologne. \n\n\n\n“Thomas Baumgärtel is much more than a simple painter in the classical sense. In addition to drawings and prints\, his intermedial work also includes photo collages\, as well as overpaintings of photos and spray paintings of ‘old masters’ and objects. He has not only engaged with traditional easel painting but also intensely with mural painting in public spaces. \n\n\n\nThe wide spectrum of his artistic work extends to action art and shows how fluid the boundaries between sculpture and action are for him. In addition to his subversive spray actions\, his performances and happenings\, particularly those with a dinosaur-like banana\, an oversized and foldable banana sculpture on wheels\, have caused a considerable sensation. Even today\, the ‘Banana at the Brandenburg Gate’ campaign in Berlin is waiting for the starting signal.” (Dr. Bettina Baumgärtel\, Kunst Palast Museum Düsseldorf) \n\n\n\n“Works of art are a mirror of their time.” \n\n\n\nFor example\, if we refer to the works he creates on German Unity together with Harald Klemm\, we are very much in this theme. \n\n\n\nThe common thread of the works is the artistic examination and reaction to the historical and social changes brought about by the construction of the Wall\, the Cold War\, and the resulting reunification in 1989. \n\n\n\nThe two artists have been working together on the theme of “German Unity” since 1999. Each has his own personal motivations for dealing with reunification and the first peaceful revolution in German history. For Klemm\, one of the main questions remains to what extent “German Unity” has been achieved – as examples show\, the East and West are still treated differently politically. \n\n\n\nFor Thomas Baumgärtel\, a central medium of his work – the banana – is also one of the most important symbols of reunification. During his psychology studies\, he already addressed the psychological and social problems arising from the formation of German unity. Due to his training\, the psychological aspect has always been part of his work\, both on the reunification of Germany and on other themes. \n\n\n\nHis political and pacifist commitment is a common thread in his creations\, and the Banana is an ideal\, infinitely adaptable vector for this. It allows him to denounce the excesses of politics and politicians\, both in Germany and internationally\, with an offbeat but targeted perspective.
URL:https://lafa-asbl.com/event/german-urban-pop-art-by-thomas-baumgartel/
LOCATION:MOB-ART studio\, 19a\, avenue de la Porte-Neuve\, Luxembourg\, L-2227
CATEGORIES:Exhibitions,Public activities
ATTACH;FMTTYPE=image/jpeg:https://lafa-asbl.com/wp-content/uploads/2024/06/IMG_6195.jpeg
ORGANIZER;CN="MOB-ART studio":MAILTO:lucschroeder@mob-artstudio.lu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20240620T000000
DTEND;TZID=Europe/Zurich:20240720T235959
DTSTAMP:20260526T221642
CREATED:20240604T044033Z
LAST-MODIFIED:20240604T044235Z
UID:29764-1718841600-1721519999@lafa-asbl.com
SUMMARY:Wolfgang Blanke
DESCRIPTION:Wolfgang BLANKE is well known for his paintings\, for which he uses raw materials only\, pigments\, and various binders. He uses natural resins\, oils\, waxes\, and no industrially produced colours. In this way\, the artist continually finds new ways and means of expressing himself\, both his personality and his current mood.The difficult moment of the so-called “pure painting” is a clash of recognition. You feel this fascinating material while you are in a dialog of such painting progress\, you listen to it and it guides you. With transparent layers\, he can show both the progress of the painting and the thrilling edge between form and background. Your perception will find your own specific way of identification.Besides art\, Wolfgang Blanke is a dedicated sailor and seaman. Both of these two passions\, art and sailing\, have shaped his life up to now.
URL:https://lafa-asbl.com/event/wolfgang-blanke/
LOCATION:Galerie Schortgen\, 24\, rue Beaumont\, Luxembourg\, L-1219\, Luxembourg
CATEGORIES:Exhibitions,Public activities
ATTACH;FMTTYPE=image/jpeg:https://lafa-asbl.com/wp-content/uploads/2024/06/23-Blanke-1.jpg
ORGANIZER;CN="Galerie Schortgen":MAILTO:galerie@schortgen.lu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20240620T000000
DTEND;TZID=Europe/Zurich:20240914T235959
DTSTAMP:20260526T221642
CREATED:20240607T151735Z
LAST-MODIFIED:20240626T145523Z
UID:29901-1718841600-1726358399@lafa-asbl.com
SUMMARY:Nat Meade – Creeper\, Sleeper\, Weeper
DESCRIPTION:Over the last decade\, the American painter Nat Meade has developed a unique style of portraiture within the genre of so-called ‘allegorical autofiction’. In his works\, a recurring bearded protagonist embodies emotional states the artist has personally experienced in certain phases of his life or social roles as a man. Their brightly coloured motifs do not refer to external but internal states\, while symbolic attributes reinforce the slightly quaint atmosphere that pervades the works. \n\n\n\nThe archetypal monolithic head\, which Meade occasionally depicts in bust length or in pairs or threes within the same painting\, harkens back to the artist’s early memory of a woodcut portrait of Walt Whitman (1819–1892) by Antonio Frasconi that hung in his parents’ home — an informal\, expressive head with a triangular nose\, its full beard rendered by large\, thick strokes. Meade\, who grew up in the Pacific Northwest region of the United States\, is well familiar with such rugged physiognomies. In his writings\, Whitman\, arguably the most famous American poet of the nineteenth century\, chastised the upheavals and divisions in modern society\, instead romanticising the declining agrarian model and its social cohesion. Even in the twenty-first century\, the myths of the founding of the United States and the conquest of the West still inform the country’s understanding of traditional male roles — an outdated cliché\, for many reasons. Meade expresses his own unease at this conception through the tongue-in-cheek fatalism of his archaic figures who\, despite their robust appearance\, seem vulnerable\, exhausted\, oblivious of the world around them and at times tender\, and are often shown sleeping\, pondering or crying. Sometimes their detached heads\, lying flat on the floor\, even transform into objects that tie in with the surrounding natural landscape. \n\n\n\nMeade varies the pictorial space by playing with different viewing distances and angles. In his smaller works (such as Basal\, Scrim\, Canopy)\, the face appears as if seen through a telephoto lens\, filling the entire pictorial space\, with even the chin\, forehead or cheeks cropped. This leaves no room for peripheral attributes\, so that all additions\, such as branches with green or autumn-brown leaves\, overlap and obscure the face. The relationship between nature and the individual is thus reversed; what we see is not humans who stand or act in nature\, but nature that conceals the humans and turns them into a mere backdrop\, into something passive. \n\n\n\nIn Meade’s medium-size formats (such as Creeper\, Sleeper\, Weeper) or the large format Dandylion\, the extended angle embraces the surroundings of the person\, who is always pictured in the centre ground\, leaving space in the background for a hill\, a decomposing log or shallow water. The foreground can therefore accommodate (mostly vegetal) elements that are in turn orientated towards the figure\, such as dandelion flowers stretching their stems like curious antennae. The prehistoric faces rarely look directly at the viewer — in most cases their eyelids are closed or the pupils are turned thoughtfully to the side. Their mysterious appearance lends them an oracular quality that invites viewers to make them ‘speak’ through their own reflections. \n\n\n\nBesides their unusual and subtle\, almost burlesque motifs\, the colour treatment is a distinctive feature of Meade’s paintings — even his works on paper radiate as if they had built-in backlighting. This effect is achieved through a clever distribution of light in the composition of the motifs: imaginary light sources cast deep shadows on certain objects\, while other areas reflect the light and seem to glow from within. In contrast\, the surfaces of the paintings are rough and matte — the exact opposite of a high-gloss sheen. The artist uses mainly jute or hemp as canvases\, literally slaving away at the harsh texture. Layers of colour are applied but also scraped off again before being reconstructed again\, the slow\, layered build-up resulting in highly saturated colours. In addition\, Meade only uses colour tones that shine in the lighter parts of the painting and transform into radiant dark tones in the shadowy ones: yellow turns to orange or green\, pink becomes violet. The weft of the fabric is still clearly visible in the finished picture\, creating the impression of a gauze through which we view the strongly lit motif\, as though on a theatre stage. \n\n\n\nSabine Dorscheid
URL:https://lafa-asbl.com/event/nat-meade-creeper-sleeper-weeper/
LOCATION:Nosbaum Reding Projects\, 4\, rue Wiltheim\, Luxembourg\, L-2733
CATEGORIES:Exhibitions,Public activities
ATTACH;FMTTYPE=image/jpeg:https://lafa-asbl.com/wp-content/uploads/2024/06/creeper_sleeper_weeper_nosbaum_reding_350.jpeg
ORGANIZER;CN="Nosbaum Reding":MAILTO:reding@nosbaumreding.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20240620T000000
DTEND;TZID=Europe/Zurich:20240914T235959
DTSTAMP:20260526T221642
CREATED:20240607T152642Z
LAST-MODIFIED:20240627T115212Z
UID:29908-1718841600-1726358399@lafa-asbl.com
SUMMARY:Made in America: 1960s to Today
DESCRIPTION:© Audrey Jonchères\n\n\n\nGroup show including works by the following artists:  \n\n\n\n\nWilliam Nelson Copley\n\n\n\nCarroll Dunham\n\n\n\nAlex Israel\n\n\n\nPaul McCarthy\n\n\n\nKenneth Noland\n\n\n\nRaymond Pettibon\n\n\n\nRichard Pettibone\n\n\n\nJames Rosenquist\n\n\n\nAndy Warhol\n\n\n\nJohn Wesley\n\n\n\nTom Wesselmann\n\n\n\n\nThis exhibition explores the landscape of American art from the 1960s to the present day. On the one hand\, the iconic American Pop Art scene with artists who captured the essence of American culture\, consumerism and media such as Richard Pettibone (b. 1938)\, Andy Warhol (1928-1987)\, Tom Wesselmann (1931-2004)\, Raymond Pettibon (b. 1957)\, William N. Copley (1919-1996) and John Wesley (1928-2022). \n\n\n\nOn the other hand\, we focus on the Abstract Art movement\, with a particular emphasis on Kenneth Noland (1924-2010). His innovative use of color and form redefined Abstract Expressionism and left a lasting imprint on the art world. The exhibition also highlights more recent contributions to the West Coast art scene\, specifically from Los Angeles\, with contemporary artists such as Alex Israel (b. 1982) and Paul McCarthy (b. 1945)\, who continue to push boundaries and challenge conventions with their unique perspectives and innovative works.
URL:https://lafa-asbl.com/event/made-in-america-1960s-to-today/
LOCATION:Nosbaum Reding\, 2\, Rue Wiltheim\, Luxembourg\, L-2733
CATEGORIES:Exhibitions,Public activities
ATTACH;FMTTYPE=image/jpeg:https://lafa-asbl.com/wp-content/uploads/2024/06/made_in_america_1960s_to_today_nosbaum_reding_351.jpeg
ORGANIZER;CN="Nosbaum Reding":MAILTO:reding@nosbaumreding.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Luxembourg:20240711T000000
DTEND;TZID=Europe/Luxembourg:20240914T235959
DTSTAMP:20260526T221642
CREATED:20240703T170015Z
LAST-MODIFIED:20240703T170016Z
UID:30075-1720656000-1726358399@lafa-asbl.com
SUMMARY:Saar Scheerlings & Mario Picardo: Sugar Rush
DESCRIPTION:The exhibition ‘SUGAR RUSH’ presents new works by Mario Picardo and Saar Scheerlings and blends colorful paintings with soft monochrome sculptures.   \n\n\n\nChilean-French artist Mario Picardo (*1985) has studied Fine Art at the ‘Ecole nationale supérieure des Beaux Arts de Paris’ in Paris\, France. With the urban landscape as his source of inspiration\, the artist creates multilayered colorful paintings\, accentuated by his use of the airbrush gun\, revealing elements of pop culture and cartoons. Mario’s work has recently been on view at the Ludwig Museum of Contemporary Art in Budapest\, Hungary. \n\n\n\nSaar Scheerlings (*1990) has studied at the Design Academy in Eindhoven\, The Netherlands. Saar’s work is often triggered by the beauty and dedication of old materials like antique linens that she uses for her sculptures. With a laborious process of sculpting\, cutting\, sewing and weaving she breathes new life into these materials\, transforming them into monumental talisman sculptures. Saar’s work has recently been exhibited at Palais de Tokyo in Paris\, France.
URL:https://lafa-asbl.com/event/saar-scheerlings-mario-picardo-sugar-rush/
LOCATION:Valerius Gallery\, 1\, Place du Theatre\, Luxembourg\, L-2613
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://lafa-asbl.com/wp-content/uploads/2024/07/IMG_6998-scaled.jpeg
ORGANIZER;CN="Valerius Gallery":MAILTO:info@valeriusartgallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20240731T000000
DTEND;TZID=Europe/Zurich:20240914T235959
DTSTAMP:20260526T221642
CREATED:20240730T061500Z
LAST-MODIFIED:20240607T041651Z
UID:29884-1722384000-1726358399@lafa-asbl.com
SUMMARY:Summer Group Show
DESCRIPTION:
URL:https://lafa-asbl.com/event/summer-group-show/
LOCATION:MOB-ART studio\, 19a\, avenue de la Porte-Neuve\, Luxembourg\, L-2227
CATEGORIES:Exhibitions,Public activities
ORGANIZER;CN="MOB-ART studio":MAILTO:lucschroeder@mob-artstudio.lu
END:VEVENT
END:VCALENDAR